Caye and Richard Johnson live in a treehouse – sort of.
Their multilevel home, built on a steeply sloped lot in Los Altos Hills, is a product of the Loma Prieta earthquake and their love of architecture. The view inside from the dramatic entry is of trees.
The Johnsons have lived on the property for 44 years. They loved the first house they built, which was Eichlerlike with a glass wall. But the 1989 quake caused it to separate nearly in half, leaving it habitable but in dire condition.
Rather than rebuild and retrofit it, they decided to start over.
“We looked for a young architect wanting to do interesting things,” said Richard, a fan of Richard Neutra and Frank Lloyd Wright.
“I didn’t want a square, boxy house,” said Caye, who had seen too many rentals that were advertised as light-filled but were depressingly dark.
Tobin Dougherty of Palo Alto filled the bill and, together with the Johnsons, designed a contemporary house that is all about angles and views. There are no square rooms.
An artistic space
Intersecting triangles form the motif, the most dramatic of which is the “prow” extending over the front entry. The front door continues the triangular motif in three different woods infilled with stonelike epoxy.
Ceiling beams extending from the interior to the exterior emphasize the lines. And five sets of vertical beams, which move as a unit, stabilize the house and add architectural interest.
Caye’s favorite view is from the backyard looking toward the soaring living room windows.
A plethora of glass capitalizes on the views from the 3,850-square-foot, four-bedroom house, which boasts a formal dining room, great room and study. The bar and a portion of the kitchen are cantilevered – “a tricky way to gain space,” Richard said.
A wine cellar and a barrel room with winemaking equipment are on the garage level.
Richard describes the house as “creative modern” based on angles that take advantage of the hillside and the sun.
“It is a continual challenge to the mind and eye,” he said.
In Dougherty’s words, “Juxtaposed angles, pathways, sun and site intertwine in a 45-degree dance of dramatic – yet domestic and intimate – artistic space.”
“Artistic” is the operative word, considering the eye-catching art pieces created by Richard. Noteworthy is one titled “Heavy Metal,” which measures 5-feet-by-10-feet and is made of Styrofoam shipping containers sprayed black. It hangs in the living room near a post-World War II handmade Rippen piano from Holland.
On another wall is a similar piece made from ink-cartridge shipping containers. Richard likes making things from found junk.
“This is interesting,” he says to himself. “What can I do with it?”
His muse could be Louise Nevelson.
The light-filled interiors provide a gallerylike setting for favorite things collected on their travels around the country and abroad.
Both worked in life sciences at Ames Research Center and spent a couple of months at the Johnson Space Center in 1969 analyzing the Apollo moon rocks. In addition, Richard worked on the Viking Mission to Mars and Caye worked on the space station.
After retiring from Ames, Richard worked at SRI before becoming a consultant and then turning his full attention to building the house.
A modern masterpiece
The Johnsons laid the slate floors themselves. Danish wood floors complement the slate.
The kitchen, on the first level, features a black and brown color scheme. The SieMatic cabinets from Germany are stained cherry, and the countertops are granite. The island is a 7-foot-by-6-foot trapezoidal slab of nearly black granite with red accents. The Johnsons used cardboard and plywood to mock up the island and create the perfect shape.
The kitchen includes a breakfast nook and flows into the great room, which features a Swedish corner fireplace.
Also on this level are the dining room, bar and powder room.
The powder room’s heavily textured black walls have traces of red, gold and silver – the perfect foil for a vibrant, masklike “face” that’s a clever composite of the face of Michelangelo’s David overpainted with a scene from the Sistine Chapel ceiling. The couple purchased it
A few steps down is the living room. From there, staircases with custom wrought-iron railings lead up to Richard’s study and down to the bedrooms.
The master suite features an earth-toned marble bathroom. The open walk-in shower is like a greenhouse.
“It’s like showering with nature,” Caye said.
No wonder. The house sits on a 1.5-acre lot that is parklike.
The Johnsons have four grown children and are in the process of downsizing – no easy task.
When they built their modern masterpiece two decades ago, their youngest child asked, “Mom and Dad, why can’t you build a regular house?”