Thu01292015

News

Foothill to offer four-year degree: Foothill aims to launch dental hygiene degree in fall 2016

Foothill to offer four-year degree: Foothill aims to launch dental hygiene degree in fall 2016


Ellie Van Houtte/Town Crier
Students enrolled in Foothill College’s two-year dental hygiene program, above, can soon earn a four-year bachelor’s degree for approximately $10,000.

Foothill-De Anza Community College District Chancellor Linda M. Th...

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Schools

Freestyle hosts exhibition at Computer Science Museum

Freestyle hosts exhibition at Computer Science Museum


Traci Newell/Town Crier
Mountain View High junior and Freestyle Academy student Radika Gupta, right, works with a fellow student during a WebAudio course this month.

For three periods a day, a small subset of students from Los Altos and Mountain Vi...

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Community

Museum explores Stanford, Valley connection

Museum explores Stanford, Valley connection


Courtesy of Julie Rose
The Los Altos History Museum’s “Symbiotic Superstars” event drew a crowd including, from left, “The Lure & the Legends” creator Nan Geschke, Stanford President John L. Hennessy, historian Leslie Berlin and Adobe Systems c...

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Comment

Good compromise on PE exemptions: Editorial

While “Deflategate” captures the national sports headlines, the local issue of physical education class exemptions for freshmen seems a much worthier sports topic for discussion.

The Mountain View Los Altos Union High School District Board of Truste...

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Special Sections

Your Home Brief

Filoli hosts bird exhibition

Filoli kicks off the 2015 season of art exhibitions in its Visitor and Education Center with “The Birds of America: Audubon Collection,” a selection of prints from Filoli’s Permanent Collection, Feb. 10...

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Business

Wine & beer lounge coming to First Street

Wine & beer lounge coming to First Street


Ellie Van Houtte/Town Crier
The new wine and beer lounge Honcho heads to First Street, with a spring opening anticipated.

A cocktail lounge proposed for First Street has cleared its first hurdle – the Los Altos Planning and Transportation Comm...

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Books

"Fearless Genius" photos chart Silicon Valleys brain trust


Not every book needs pages and pages of words to tell a story – some do it through pictures.

“Fearless Genius: The Digital Revolution in Silicon Valley, 1985-2000” (Atria Books, 2014) by Doug Menuez features more than 100 photographs Menuez to...

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People

RUBY DOSHIM LAI

Ruby Doshim Lai was born on July 26, 1929 and passed away at home on January 10, 2015. A resident of Los Altos for over 50 years, Ruby is survived by her husband Bill; children Gwen, Tracy and Allyn; and grandchildren Kiyoshi and Misa.

Born on Mott ...

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Travel

Cuban photographer slated to appear at Foothill

Cuban photographer slated to appear at Foothill


Courtesy of Raúl Cañibano
Cuban photographer Raúl Cañibano is set to appear at Foothill College tonight. His work – including the image “Series: Guajira’s Land, Viñales, 2007,” right – is on display at the KCI Gallery t...

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Stepping Out

'Betrayal' at Pear

'Betrayal' at Pear


Ray Renati/Special to the Town Crier
The cast of Pear Avenue Theatre’s “Betrayal” includes Maryssa Wanlass, from left, Fred Pitts and William J. Brown III.

The Pear Avenue Theatre presents Harold Pinter’s investigation of modern relationships, “...

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Magazine

Tracing history on foot: Hidden Villa’s long hike

Tracing history on foot: Hidden Villa’s long hike


Campers on Hidden Villa’s Sierra Backpacking Trip study historical photos to measure how the land has changed and alternate serving as student leaders who guide the route of their three-week trek.

Amid the high-tech camps and programs of a Bay Area ...

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Local photojournalist graphically depicts persecution refugees face

COMM dianamatarPhotojournalist Diana Matar captures refugees in a new light.

The Los Altos native attended the Royal College of Arts in London and has worked with the Associated Press and galleries and museums worldwide. She has exhibited and published in North America, Latin America, Europe, the Middle East and Southeast Asia.

Matar integrates photography and testimony as she focuses on establishing a personal connection with her subjects.

Her work involves a several-part collaborative process: meeting for an entire day, creating a text from the interview and then reviewing the text with her subjects to ensure accuracy.

“Often text produced from the interviews doesn’t have the same meaning,” Matar said. “I always work with my subjects to see if it’s what they mean in that context.”

Matar’s photojournalism is unique in its aim to paint an intimate image of the individual rather than the overall issue.

“I was trying to get away from those images of black-and-white huddling masses crossing borders. I wanted to focus on someone who’s an individual with (his or her) own story and life and background,” she said. “When you’re a journalist, you’re often working on something that is a large, very important issue, and you may use individuals to illustrate that. But my real purpose was to break it down to each individual and not have it be about the issue.”

Much of Matar’s inspiration stems from her personal and universal interest in the cause of world justice. One project, “Leave to Remain,” comprising 50 photographs of refugees in the United Kingdom, is inspired by the press coverage of asylum-seekers.

“The wording of the rhetoric in the press was very problematic to me. ... I was reminded of how we use language to demonize people,” she said. “What I didn’t see were the voices of the people who were being talked about.”

Her powerful, large-scale portraits toured the House of Parliament and 10 museums in the UK.

Matar’s most personal project, a three-part series – “Disappearance,” “Evidence” and “Witness” – prompted by her father-in-law’s disappearance in Libya, portrays that nation’s day-to-day political atrocities. The second section, “Evidence, reflects how specific archaeological sites can become evidence of the missing people for whom there are no records or evidence. In “Evidence,” buildings become metaphors for a Libyan reign of terror and state-sponsored depravity. “Witness,” the third section, features photographs of trees around the world that mark the sites of the assassinations of Libyan dissidents.

“That project came about by historical events unfolding in Libya, but also by very personal events in my husband’s family and how that affected us. It was a project very close to home and very difficult to work on,” Matar said.

The project, which took five years to complete, was on display at London’s Saatchi Gallery and won acclaim from Deutsche Bank and Critical Mass.

“Photography is the way I walk through the world,” she said. “I feel very lucky to have the opportunity to do what I love.”

For more information, visit dianamatar.com.

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