Mon09012014

News

A flood of candidates seek seats on high school board

Two incumbents and five newcomers are vying for seats on the Mountain View Los Altos Union High School District Board of Trustees – a significant increase in the number of candidates who have run over the past 10 years.

According to data from the Sa...

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Schools

One more candidate joins MVLA race

When longtime incumbent Judy Hannemann declined to run again, the deadline to file for the upcoming Mountain View Los Altos Union High School District Board of Trustees election was extended by a few days. Mountain View resident Sanjay Dave registere...

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Community

CSA salutes 'Hometown Heroes' at breakfast

CSA salutes 'Hometown Heroes' at breakfast


Mendoza

The Community Services Agency’s 2014 “Hometown Heroes” fundraising breakfast is scheduled 7:15 a.m. Sept. 19 at the Computer History Museum, 1401 N. Shoreline Blvd., Mountain View.

“Hometown Heroes” honors individuals and businesses for...

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Sports

No suit, no sweat

No suit, no sweat


Courtesy of the Gallagher Family
Joe Gallagher – a 12-year-old from Los Altos Hills – swims from near Alcatraz Island to the San Francisco shore. His uncle, Joe Locke, an accomplished open-water swimmer, accompanied him.

For his recent s...

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Comment

Back to school, back to thumbs: Editorial

The kids are back in class at our local schools and a new political campaign season is underway, so we have our thumbs out and ready to go.

Thumbs-up: To last week’s community workshop for rebuilding the Los Altos Community Center. The Aug. 19...

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Business

Sweet Shop celebrates five-year anniversary

Sweet Shop celebrates five-year anniversary


Ellie Van Houtte/Town Crier
The Sweet Shop at 994 Los Altos Ave. marks its fifth year in business Sept. 7. The shop is a popular after-school stop for families and students.

When Stacy Savides Sullivan opened the Sweet Shop at 994 Los Altos...

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Books

"Jack London" chronicles author's adventurous life


Much has been written about American author Jack London, primarily known for his early-20th-century Western adventure novels, including the classics “White Fang” and “The Call of the Wild.”

In Earle Labor’s biography of the literary icon, “Jac...

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People

JEFF JOHNSON

JEFF JOHNSON

Jan 10, 1967 - Aug 10, 2014

Jeff was born and raised in Los Altos. He was a graduate of Los Altos High School. He then went to Foothill College where he had an opportunity to spend 3-months in Europe through a study abroad program. That experience...

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Travel

Visiting Vancouver Western Canada's premier destination has much to offer

Visiting Vancouver Western Canada's premier destination has much to offer


Photos courtesy of TOURISM VANCOUVER
Outdoor adventures abound in and around Vancouver, including a boat excursion into Horseshoe Bay and a jaunt on the Cliffwalk at Capilano Suspension Bridge Park, among the most popular attractions in British Col...

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Stepping Out

'Water' rises in Mtn. View

'Water' rises in Mtn. View


Kevin Berne/Special to the Town Crier
Elliot (Miles Gaston Villanueva) struggles to understand Odessa’s (Zilah Mendoza) online activity in TheatreWorks’ regional premiere of the award-winning drama “Water by the Spoonful.”

TheatreWorks’ regiona...

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Spiritual Life

Spiritual Briefs

Meditation group meets at Foothills Congregational

A Weekly Meditation Practice group meets 7-8:15 a.m. Tuesdays at Foothills Congregational Church, 461 Orange Ave., Los Altos.

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Magazine

Los Altos Hills home showcases resort-inspired living

Los Altos Hills home showcases resort-inspired living


Courtesy of Spectrum Interior Design
In place of a more traditional fireplace, this modern living room features a linear-flame firebox that emits heat while offering a sculpturelike design element.

After traveling the world and visiting a host o...

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Local photojournalist graphically depicts persecution refugees face

COMM dianamatarPhotojournalist Diana Matar captures refugees in a new light.

The Los Altos native attended the Royal College of Arts in London and has worked with the Associated Press and galleries and museums worldwide. She has exhibited and published in North America, Latin America, Europe, the Middle East and Southeast Asia.

Matar integrates photography and testimony as she focuses on establishing a personal connection with her subjects.

Her work involves a several-part collaborative process: meeting for an entire day, creating a text from the interview and then reviewing the text with her subjects to ensure accuracy.

“Often text produced from the interviews doesn’t have the same meaning,” Matar said. “I always work with my subjects to see if it’s what they mean in that context.”

Matar’s photojournalism is unique in its aim to paint an intimate image of the individual rather than the overall issue.

“I was trying to get away from those images of black-and-white huddling masses crossing borders. I wanted to focus on someone who’s an individual with (his or her) own story and life and background,” she said. “When you’re a journalist, you’re often working on something that is a large, very important issue, and you may use individuals to illustrate that. But my real purpose was to break it down to each individual and not have it be about the issue.”

Much of Matar’s inspiration stems from her personal and universal interest in the cause of world justice. One project, “Leave to Remain,” comprising 50 photographs of refugees in the United Kingdom, is inspired by the press coverage of asylum-seekers.

“The wording of the rhetoric in the press was very problematic to me. ... I was reminded of how we use language to demonize people,” she said. “What I didn’t see were the voices of the people who were being talked about.”

Her powerful, large-scale portraits toured the House of Parliament and 10 museums in the UK.

Matar’s most personal project, a three-part series – “Disappearance,” “Evidence” and “Witness” – prompted by her father-in-law’s disappearance in Libya, portrays that nation’s day-to-day political atrocities. The second section, “Evidence, reflects how specific archaeological sites can become evidence of the missing people for whom there are no records or evidence. In “Evidence,” buildings become metaphors for a Libyan reign of terror and state-sponsored depravity. “Witness,” the third section, features photographs of trees around the world that mark the sites of the assassinations of Libyan dissidents.

“That project came about by historical events unfolding in Libya, but also by very personal events in my husband’s family and how that affected us. It was a project very close to home and very difficult to work on,” Matar said.

The project, which took five years to complete, was on display at London’s Saatchi Gallery and won acclaim from Deutsche Bank and Critical Mass.

“Photography is the way I walk through the world,” she said. “I feel very lucky to have the opportunity to do what I love.”

For more information, visit dianamatar.com.

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