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News

West Nile fogging commences Sept. 2

West Nile fogging commences Sept. 2


Courtesy of the Santa Clara County Vector Control District
Fogging commences Wednesday within the highlighted area.

The detection of West Nile Virus-infected mosquitos means that Santa Clara County officials will begin mosquito fogging operations...

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Schools

LASD trustees reopen negotiations with Los Altos Teachers Association

The Los Altos School District Board of Trustees last week directed staff to reopen negotiations with the Los Altos Teachers Association, a move intended to shore up the district’s financial picture.

According to the district’s current co...

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Community

LA teenager crowned Miss Golden State, advances to national pageant in Florida

LA teenager crowned Miss Golden State, advances to national pageant in Florida


Alicia Castro/Town Crier
Alexandra McCarthy, crowned Miss Golden State Teen in July, earned “Ms. Personality” honors from her peers.

Alexandra McCarthy has a ways to go before reaching her coveted role as a U.S. Supreme Court justice. Bu...

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Sports

After rough year, Eagles aim to soar once more

After rough year, Eagles aim to soar once more


Megan V. Winslow/Town Crier
Los Altos High senior running back Patrick Vargas snares a pass in practice last week.

Don’t dismiss the Eagles. Coach Trevor Pruitt is adamant that his Los Altos High football team will be better than expected.

&#...

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Comment

Car spotting 2015: A Piece of My Mind

When I was a kid, September was exciting, almost like Christmas, because that was when the Big Three automakers would reveal the new models for the upcoming year.

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Special Sections

Loving on the Edge

Loving on the Edge


Courtesy of Ford
The Ford Edge has been redesigned for 2015. Ford lengthened the wheel base and added cargo space, among other things. The Titanium model sells for approximately $42,000.

Once in a while, a vehicle we test-drive is just right for our...

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Business

Wine bar aims for October opening

Wine bar aims for October opening


Rendering courtesy of Honcho
Honcho, the wine and beer lounge on First Street, expects an October launch. A rendering of the space reveals the interior layout, which includes bar and lounge-style seating.

A downtown libations lounge that anticip...

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People

LOIS CAROLINE WALLES

LOIS CAROLINE WALLES

November, 1928

Lois lost a long and courageous battle with a prolonged illness on July 14th, 2015. She passed away knowing how well she was loved. She was always the life of the party and loved bringing everyone to her home for dinner or an event,...

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Travel

Carmel Valley Ranch unveils upgrades

Carmel Valley Ranch unveils upgrades


Courtesy of Carmel Valley Ranch
Carmel Valley Ranch recently upgraded its Vineyard Oak suites, which feature sweeping views, rocking chairs and private outdoor tubs for soaking under the stars.

Things are heating up at Carmel Valley Ranch, with 30 n...

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Stepping Out

'Dead Man' comes alive at Bus Barn

'Dead Man' comes alive at Bus Barn


Richard Mayer/Special to the Town Crier
The cast of Los Altos Stage Company’s “Dead Man’s Cell Phone” includes, from left, Marjorie Hazeltine (as Hermia), Kristin Walter (Jean) and Adrienne Walters (Carlotta).

Los Altos Stage Company opens its ...

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Spiritual Life

Inside Mountain View

MV actress/playwright Garvin wins NY festival award for

MV actress/playwright Garvin wins NY festival award for "Corners Grove"


Courtesy of Undiscovered Countries
Kaela Mei-Shing Garvin received a New York arts festival award for a featured role in “Corners Grove,” a play she wrote.

New York recognized that one of Mountain View’s own can “make it there” when the Planet C...

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Local photojournalist graphically depicts persecution refugees face

COMM dianamatarPhotojournalist Diana Matar captures refugees in a new light.

The Los Altos native attended the Royal College of Arts in London and has worked with the Associated Press and galleries and museums worldwide. She has exhibited and published in North America, Latin America, Europe, the Middle East and Southeast Asia.

Matar integrates photography and testimony as she focuses on establishing a personal connection with her subjects.

Her work involves a several-part collaborative process: meeting for an entire day, creating a text from the interview and then reviewing the text with her subjects to ensure accuracy.

“Often text produced from the interviews doesn’t have the same meaning,” Matar said. “I always work with my subjects to see if it’s what they mean in that context.”

Matar’s photojournalism is unique in its aim to paint an intimate image of the individual rather than the overall issue.

“I was trying to get away from those images of black-and-white huddling masses crossing borders. I wanted to focus on someone who’s an individual with (his or her) own story and life and background,” she said. “When you’re a journalist, you’re often working on something that is a large, very important issue, and you may use individuals to illustrate that. But my real purpose was to break it down to each individual and not have it be about the issue.”

Much of Matar’s inspiration stems from her personal and universal interest in the cause of world justice. One project, “Leave to Remain,” comprising 50 photographs of refugees in the United Kingdom, is inspired by the press coverage of asylum-seekers.

“The wording of the rhetoric in the press was very problematic to me. ... I was reminded of how we use language to demonize people,” she said. “What I didn’t see were the voices of the people who were being talked about.”

Her powerful, large-scale portraits toured the House of Parliament and 10 museums in the UK.

Matar’s most personal project, a three-part series – “Disappearance,” “Evidence” and “Witness” – prompted by her father-in-law’s disappearance in Libya, portrays that nation’s day-to-day political atrocities. The second section, “Evidence, reflects how specific archaeological sites can become evidence of the missing people for whom there are no records or evidence. In “Evidence,” buildings become metaphors for a Libyan reign of terror and state-sponsored depravity. “Witness,” the third section, features photographs of trees around the world that mark the sites of the assassinations of Libyan dissidents.

“That project came about by historical events unfolding in Libya, but also by very personal events in my husband’s family and how that affected us. It was a project very close to home and very difficult to work on,” Matar said.

The project, which took five years to complete, was on display at London’s Saatchi Gallery and won acclaim from Deutsche Bank and Critical Mass.

“Photography is the way I walk through the world,” she said. “I feel very lucky to have the opportunity to do what I love.”

For more information, visit dianamatar.com.

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