Sun02142016

News

SPLAT targets data, outreach as airplane noise continues

SPLAT targets data, outreach as airplane noise continues


Graphic courtesy of Don Gardner
Activists claim that a new SFO flight path leaves a “sound shadow” that impacts Los Altos and Los Altos Hills.

Sky Posse Los Altos Team – more simply known as SPLAT – seeks to squelch the noise...

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Schools

Los Altos High student-run charity plans '5 Gallon Gala'

Los Altos High student-run charity plans '5 Gallon Gala'


Courtesy of Lia Evard
Water by Youth members gave Egan students a chance to carry a 40-pound Jerry can, to see how difficult it is to obtain water in developing nations.

Water by Youth, a club at Los Altos High School, is making a splash by pla...

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Community

What would you do with a box of cookies? Local Girls Scouts help Tanzanian orphanage

What would you do with a box of cookies? Local Girls Scouts help Tanzanian orphanage


Courtesy of Alicia Madden
Sales of local Girl Scout cookies support service projects, such as funding an orphanage in the village of Mto wa Mbu in Tanzania.

Girl Scout cookies – whether you think of them as a treat, a tradition or a diet comp...

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Sports

Scoreless spells sink LA boys

Scoreless spells sink LA boys


Megan V. Winslow/Town Crier
Los Altos High point guard Nolan Brennan attempts a shot in Friday’s game versus Palo Alto. He scored eight points in the loss.

There have been several games this season in which the Los Altos High boys basketball t...

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Comment

New 'York' values

New 'York' values


Hughes

 

As we have witnessed California suffer through one of its worst droughts in history over the past few years, all of us, I’m sure, have been keenly aware of our surroundings and have done a small part in trying to conserve wa...

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Special Sections

Getting a charge  out of the Volt

Getting a charge out of the Volt


Courtesy of Chevrolet
The 2016 Chevrolet Volt can be driven up to 50 miles on the power stored in its batteries.

Just five years ago, we wondered in this column what the power supply would be for the car of the future. Gasoline, diesel, electric ba...

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Business

Nearing V-Day: Shops stock sweets, treats

Nearing V-Day: Shops stock sweets, treats


Megan V. Winslow/Town Crier
Los Altos resident Ella Roosakos, 11, with her mother, Gail, puzzles over which Gourmet Works sweets to buy as a valentine for Ella’s friend.

The gift-buying rush isn’t exclusive to Christmas. It may jump over...

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People

ALAN RODNEY MILLS

ALAN RODNEY MILLS

Alan Rodney Mills, PhD, 83, of Los Altos passed away peacefully on Saturday, January 30th, 2016. He was born in Rochdale, England in 1933 and came to California in 1962. He was a proud alumni of Manchester Grammar in England, University of Liverpoo...

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Stepping Out

PYT 'Gets Famous'

PYT 'Gets Famous'


Lyn Flaim Healy/Spotlight Moments Photography
Renee Vetter of Palo Alto, left, and Megan Foreman of Los Altos star in Peninsula Youth Theatre’s “Judy Moody Gets Famous.” Performances are scheduled Friday and Saturday.

Peninsula...

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Spiritual Life

A time to prepare: Fasting for Lent isn't limited to food

 

Today is Ash Wednesday, which in the Christian calendar marks the beginning of Lent – the 40 days of preparation for Resurrection Sunday, otherwise known as Easter.

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Inside Mountain View

New right-to-lease ordinance promises relief for renters

New right-to-lease ordinance promises relief for renters


Mountain View Tenants Coalition/Facebook
Residents gather in the fall to protest Mountain View’s rising rents. Rent relief is on the way in the form of a new ordinance.

A controversial Mountain View law requiring landlords to provide lease opt...

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Local photojournalist graphically depicts persecution refugees face

COMM dianamatarPhotojournalist Diana Matar captures refugees in a new light.

The Los Altos native attended the Royal College of Arts in London and has worked with the Associated Press and galleries and museums worldwide. She has exhibited and published in North America, Latin America, Europe, the Middle East and Southeast Asia.

Matar integrates photography and testimony as she focuses on establishing a personal connection with her subjects.

Her work involves a several-part collaborative process: meeting for an entire day, creating a text from the interview and then reviewing the text with her subjects to ensure accuracy.

“Often text produced from the interviews doesn’t have the same meaning,” Matar said. “I always work with my subjects to see if it’s what they mean in that context.”

Matar’s photojournalism is unique in its aim to paint an intimate image of the individual rather than the overall issue.

“I was trying to get away from those images of black-and-white huddling masses crossing borders. I wanted to focus on someone who’s an individual with (his or her) own story and life and background,” she said. “When you’re a journalist, you’re often working on something that is a large, very important issue, and you may use individuals to illustrate that. But my real purpose was to break it down to each individual and not have it be about the issue.”

Much of Matar’s inspiration stems from her personal and universal interest in the cause of world justice. One project, “Leave to Remain,” comprising 50 photographs of refugees in the United Kingdom, is inspired by the press coverage of asylum-seekers.

“The wording of the rhetoric in the press was very problematic to me. ... I was reminded of how we use language to demonize people,” she said. “What I didn’t see were the voices of the people who were being talked about.”

Her powerful, large-scale portraits toured the House of Parliament and 10 museums in the UK.

Matar’s most personal project, a three-part series – “Disappearance,” “Evidence” and “Witness” – prompted by her father-in-law’s disappearance in Libya, portrays that nation’s day-to-day political atrocities. The second section, “Evidence, reflects how specific archaeological sites can become evidence of the missing people for whom there are no records or evidence. In “Evidence,” buildings become metaphors for a Libyan reign of terror and state-sponsored depravity. “Witness,” the third section, features photographs of trees around the world that mark the sites of the assassinations of Libyan dissidents.

“That project came about by historical events unfolding in Libya, but also by very personal events in my husband’s family and how that affected us. It was a project very close to home and very difficult to work on,” Matar said.

The project, which took five years to complete, was on display at London’s Saatchi Gallery and won acclaim from Deutsche Bank and Critical Mass.

“Photography is the way I walk through the world,” she said. “I feel very lucky to have the opportunity to do what I love.”

For more information, visit dianamatar.com.

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