Tue02092016

News

Mountain View braces for Super Bowl crowds

Mountain View braces for Super Bowl crowds


Graphic Courtesy of City of Mountain View
The purple parking lots above indicate where paid parking for the Super Bowl is allowed in downtown Mountain View. Other lots are open but still carry three-hour time constraints.

Downtown Mountain View wil...

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Schools

Los Altos High student hopes to bring animal therapy to school

Los Altos High student hopes to bring animal therapy to school


Courtesy of Christine Lenz
Los Altos High junior Riley Fujioka, left, works with Animal Assisted Happiness program manager Simone Haroush-van Dam.

Research affirms that the therapeutic effects of animals help reduce stress in humans, and one Los Alt...

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Community

Sports

Panthers outpace Priory

Panthers outpace Priory


Shirley Pefley/Special to the Town Crier
Pinewood’s Matt Peery lays up the ball in Friday’s win over Woodside Priory. Peery paced the Panthers with 19 points.

While height helps, the Pinewood School boys are proof that basketball is not ...

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Comment

From the City Manager's Desk: Fulfilling our mission

 

For those of us who work for Los Altos, the mission is “to foster and maintain the city of Los Altos as a great place to live and to raise a family.” The city’s employees take this mission seriously and – individually ...

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Special Sections

'Machos': Middle Eastern nachos ideal for Super Bowl

'Machos': Middle Eastern nachos ideal for Super Bowl


Photos Courtesy of Blanche Shaheen
Blanche Shaheen, above with her brother Issa, shares her Middle Eastern take on nachos – ideal for a Super Bowl party. Shaheen’s “Machos,” right, feature feta, tahini sauce, Persian cucumbe...

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Business

Businesses on Main Street make moves

Businesses on Main Street make moves


Alicia Castro/Town Crier
Several stores on Main Street in downtown Los Altos are in the midst of changing hands.

In the coming months, Main Street will welcome several new businesses to fill empty storefronts.

Jennifer Quinn, the city’s econo...

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People

ROSEMARY FRASER

Rosemary Fraser, age 81, a long-time resident of the Los Altos/Palo Alto area, died peacefully Friday, the 22nd of January at her home. It was a sudden death; hypertension was the underlying cause.

Born in 1934 in Florence, Arizona, Rosemary enjoyed...

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Stepping Out

West Bay Opera tackles Tchaikovsky's 'Onegin'

West Bay Opera tackles Tchaikovsky's 'Onegin'


Otak Jump/Special to the Town Crier
Olga Chernisheva and Silas Elash perform in West Bay Opera’s “Eugene Onegin.”

The West Bay Opera production of “Eugene Onegin” is scheduled Feb. 19-28 at Lucie Stern Theatre, 1305...

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Spiritual Life

How to cultivate childlike faith in a grown-up world

And Jesus said: “Truly I tell you, unless you change and become like little children, you will never enter the kingdom of heaven.”

– Matt. 18:3

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Inside Mountain View

New right-to-lease ordinance promises relief for renters

New right-to-lease ordinance promises relief for renters


Mountain View Tenants Coalition/Facebook
Residents gather in the fall to protest Mountain View’s rising rents. Rent relief is on the way in the form of a new ordinance.

A controversial Mountain View law requiring landlords to provide lease opt...

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Stanford scholar examines commercialization of Christian rock

Based on his study of the booming Christian music industry, a Stanford University professor determined that the commercialization of Christian rock might be undermining its spiritual purpose.

Every Sunday around the country, pastors use Christian-themed rock music to engage their parishioners. Sounding much like standard top-40 pop-music fare, these scripture-based tunes are also becoming more popular on the radio and with consumers.

However, as popular Christian worship music gains a larger audience, Ari Kelman, associate professor of education at Stanford, has uncovered a surprising paradox: The very musicians, songwriters and music producers who create the music are increasingly sensitive to the relationship between rock music and worship.

Kelman, director of a new doctoral program in Stanford’s Graduate School of Education that integrates education and Jewish studies, found that evangelical musicians, like any other musical artists, aim to make the very best music they can. They hope their music will “at best, lead people in prayer, and at least, not mislead them,” he said.

The secularization of religious music

But it is this decidedly secular approach to music production that causes industry professionals who produce spiritual music to question the role that worship songs have assumed in the church.

Through the course of his research, Kelman learned that these specialized musicians feel they are embracing a secular culture that threatens to undermine the “prayerful purpose” of the music.

Kelman, whose current research focuses on the intersection of religion and pop culture, interviewed more than 75 songwriters, worship leaders and music producers and participated in numerous workshops and conferences on worship music.

Songwriters and performers “ultimately hope that the sacred purpose will trump the music’s secular origins,” he said. “The music ends up echoing with both sacred and secular overtones – one never trumps the other.”

But Kelman quotes Martin Smith, lead singer and primary songwriter of the Christian rock band Delirious, as saying, “As the genre of worship music developed into something more popular, it lost focus. We’ve become too song focused and, in truth, we need to become more worship focused.”

Kelman points to Bob Kauflin, a longtime Christian songwriter and teacher, as an example of someone who creates worship music yet is fully aware of the power of worship music to derail spiritual aims.

According to Kauflin, music is a gift from God to deepen and develop the relationship with Him.

However, when the song “becomes an idol … when the performer becomes the mediator … when people can’t worship God unless the music sounds a certain way, when they can’t worship God unless they sing these certain songs,” then the songwriters “have messed it up,” he added.

Kelman underscored the powerful role that musicians and music producers assume in faith practices.

“If people sing their faith, then those who write, perform and produce this music” become central to worship performance and practice, he said.

Worship songs, Kelman noted, seek to model a “heavenly version of prayer” derived from Christian scripture. They attempt to deliver theology while leading the audience through a performance by listening and singing along to a scriptural message.

Exploring the music, prayer connection

Kelman said he first envisioned his project as a reflection on what “the connection was between music and prayer, and the feeling of transcendence or powerful presence that music often evoked” in him.

Kelman, who is Jewish, grew up attending synagogue, where he first encountered music in a religious setting. However, he described the experience as less inspiring than attending rock concerts, where “often great, inspiring and uplifting things” happened.

Kelman developed an interest in worship music through his research on synagogues. He discovered that when he asked Jewish people about their music, they would often reply, “It’s spiritual” or “It’s so meaningful.”

However, personally, the music didn’t impress Kelman as “particularly interesting or innovative.” So he began thinking, “Who in the world is asking questions about music and spirituality in sophisticated ways?” This, Kelman explained, “led me to church.”

Kelman did not set out to debunk any widely held myths about evangelical culture. However, he encountered some, nonetheless.

“Lots of people have said to me, ‘Oh, you must have to listen to such terrible music,’” he said.

But he maintains that “much of the music is really good.”

Kelman’s research on evangelical worship music culture will be presented in his forthcoming book, tentatively titled “Shout to the Lord: Music and Worship in Evangelical America.”

Ashley Walters is a doctoral student in Jewish history at Stanford University. For more information on the humanities at Stanford, visit humanexperience.stanford.edu.

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