Wed01282015

News

Foothill to offer four-year degree: Foothill aims to launch dental hygiene degree in fall 2016

Foothill to offer four-year degree: Foothill aims to launch dental hygiene degree in fall 2016


Ellie Van Houtte/Town Crier
Students enrolled in Foothill College’s two-year dental hygiene program, above, can soon earn a four-year bachelor’s degree for approximately $10,000.

Foothill-De Anza Community College District Chancellor Linda M. Th...

Read more:

Loading...

Schools

Freestyle hosts exhibition at Computer Science Museum

Freestyle hosts exhibition at Computer Science Museum


Traci Newell/Town Crier
Mountain View High junior and Freestyle Academy student Radika Gupta, right, works with a fellow student during a WebAudio course this month.

For three periods a day, a small subset of students from Los Altos and Mountain Vi...

Read more:

Loading...

Community

Museum explores Stanford, Valley connection

Museum explores Stanford, Valley connection


Courtesy of Julie Rose
The Los Altos History Museum’s “Symbiotic Superstars” event drew a crowd including, from left, “The Lure & the Legends” creator Nan Geschke, Stanford President John L. Hennessy, historian Leslie Berlin and Adobe Systems c...

Read more:

Loading...

Comment

Good compromise on PE exemptions: Editorial

While “Deflategate” captures the national sports headlines, the local issue of physical education class exemptions for freshmen seems a much worthier sports topic for discussion.

The Mountain View Los Altos Union High School District Board of Truste...

Read more:

Loading...

Special Sections

Your Home Brief

Filoli hosts bird exhibition

Filoli kicks off the 2015 season of art exhibitions in its Visitor and Education Center with “The Birds of America: Audubon Collection,” a selection of prints from Filoli’s Permanent Collection, Feb. 10...

Read more:

Loading...

Business

Wine & beer lounge coming to First Street

Wine & beer lounge coming to First Street


Ellie Van Houtte/Town Crier
The new wine and beer lounge Honcho heads to First Street, with a spring opening anticipated.

A cocktail lounge proposed for First Street has cleared its first hurdle – the Los Altos Planning and Transportation Comm...

Read more:

Loading...

Books

‘Fearless Genius’ photos chart Silicon Valley’s brain trust

‘Fearless Genius’ photos chart Silicon Valley’s brain trust


Not every book needs pages and pages of words to tell a story – some do it through pictures.

“Fearless Genius: The Digital Revolution in Silicon Valley, 1985-2000” (Atria Books, 2014) by Doug Menuez features more than 100 photogr...

Read more:

Loading...

People

RUBY DOSHIM LAI

Ruby Doshim Lai was born on July 26, 1929 and passed away at home on January 10, 2015. A resident of Los Altos for over 50 years, Ruby is survived by her husband Bill; children Gwen, Tracy and Allyn; and grandchildren Kiyoshi and Misa.

Born on Mott ...

Read more:

Loading...

Travel

Cuban photographer slated to appear at Foothill

Cuban photographer slated to appear at Foothill


Courtesy of Raúl Cañibano
Cuban photographer Raúl Cañibano is set to appear at Foothill College tonight. His work – including the image “Series: Guajira’s Land, Viñales, 2007,” right – is on display at the KCI Gallery t...

Read more:

Loading...

Stepping Out

'Betrayal' at Pear

'Betrayal' at Pear


Ray Renati/Special to the Town Crier
The cast of Pear Avenue Theatre’s “Betrayal” includes Maryssa Wanlass, from left, Fred Pitts and William J. Brown III.

The Pear Avenue Theatre presents Harold Pinter’s investigation of modern relationships, “...

Read more:

Loading...

Magazine

Tracing history on foot: Hidden Villa’s long hike

Tracing history on foot: Hidden Villa’s long hike


Campers on Hidden Villa’s Sierra Backpacking Trip study historical photos to measure how the land has changed and alternate serving as student leaders who guide the route of their three-week trek.

Amid the high-tech camps and programs of a Bay Area ...

Read more:

Loading...

West Bay offers different approach to "Flying Dutchman"

West Bay Opera demonstrated its willingness to stage a major opera with an experimental approach in its production of The Flying Dutchman, by Richard Wagner, May 23-25, and May 30-June 1, at Palo Alto's Lucie Stern Theater. The Flying Dutchman was one of Wagner's first big hits, premiering in Dresden, in 1843. The emphasis is certainly on the "big" part. It is long, it is weighty, it is makes great demands on it singer-actors, and on its audience, too. Taking an innovative approach to helping the audience envision the setting of the opera, West Bay used the creative resources of video designer Chad Bonaker. During the overture, images of water play on the transparent screen on stage. At other times during the performance, the screen returns to allow images to aide expression of the setting, relationships, and mystery of the story. While the audience listens to a sea chanty sung by the Steersman, it also sees ghost ships with red sails and black mast floating into view. Der Fliegende Hollander (The Flying Dutchman) is based on folklore about a Dutch sea captain, Philip Vanderdecken, who is said to have sworn that "in spite of the devil" he would sail around the Cape of Good Hope, even if it took him forever. The devil, apparently listening and never one to miss a chance for a joke at someone else's expense, condemns the captain to roam the seas for eternity, seeking "redemption." There is only one way he can gain it. He must find a woman who will love him faithfully "unto death." Opera goers can hear that as a clue to all that follows. It is also a bit of male-chauvinist piggery on the part of the devil as it implies that such a woman is so impossibly difficult to find, that the Dutchman will indeed be a lost soul until Judgment Day. The opera is set in an eighteenth century Norwegian sea port. The colorful costumes, designed by Callie Floor, enliven the stage and add a sense of historical place to the strange ghost story of the opera. Fortunately for the Dutchman and for West Bay Opera, Senta, the pure though slightly dippy woman who loves the Dutchman even before they meet, was portrayed on opening night by Paula Goodman Wilder. Her singing was strong and beautiful. She captured the difficult music and characterization securely enough to insure redemption of the Dutchman and of the whole presentation. The Flying Dutchman is a good match for the Bay Area. Our focus now is more on freeways and parking spaces, but much of the area, especially San Francisco, of course, came into being, at about the time the opera premiered, because of sea ports. In the opera, when the ships are tied to the dock, the sailors are greeted by their wives and sweethearts. When the sailors and townfolk invite the crew of the Dutchman's ship to join in the revelry, they hear voices from inside the mysterious ship with red sails. Those sailors sing about their damnation to the eternal voyage. This puts a stop to the partying. As is often the case in opera, even a happy ending is not exactly happy. Senta proves her devotion by jumping into the sea to her death. The Dutchman prepares to set off again, but, fortunately, his ship sinks. Senta and the Dutchman are joined together forever, rising toward heaven. The ending of the opera offers a challenging problem for staging. How should the transfiguration and rising to heaven be shown? Should it be shown at all? Director David F. Ostwald chose to use the screen with pictures of the now heavenly pair seen first very small as though far away and then growing bigger as though coming closer, as the other performers pointed heavenward from behind the screen. This was in keeping with the choice to employ video techniques as a visual theme for the production, and yet might have been both more and less literal than necessary. Transfiguration, however, not having been witnessed, how to suggest it at all may be more than even the greatest stagecraft can attain. West Bay Opera casts outstanding professional singers in leading roles and similarly outstanding amateurs in chorus and smaller roles. The Flying Dutchman was double-cast with the extraordinary, powerful Douglas Nagel on opening night, and Bryan Glenn Davis playing The Dutchman, Ms. Goodman Wilder and Gail Sullivan as Senta. John Bischoff and Peter Graham portrayed Daland, Senta's avaricious father; Ben Bongers and Vincent Chambers portrayed Erik, Senta's more normal suitor. Donna Olsen and Sally Mouzon sang the role of Mary, a leader of the local ladies who sings while they spin. West Bay's General Director, Jose Luis Moscovich conducted, Mr. Ostwald directed, and sets with realistic ships and interiors were designed by Peter Crompton. He also designed the nautical images. The performance was sung in German with the excellent English supertitles easy to see on either side of the stage, making the grand, spooky opera accessible to all.

Schools »

Schools
Read More

Sports »

sports
Read More

People »

people
Read More

Special Sections »

Special Sections
Read More

Photos of Los Altos

photoshelter
Browse and buy photos